The expression of Freemasonry: programma

Op 27 november geef ik een paper over de invloed van vrijmetselaars in de totstandkoming van de Koninklijke Vlaamse Schouwburg op het internationaal congres The Expression of Freemasonry. 

27-28 November 2008, The Netherlands
The Expression of Freemasonry
For centuries freemasons have led a separate creative existence behind closed doors. The rituals, orations and poetry used in the lodge use words to express the society’s hopes, aspirations, philosophy and approach to religion and society. The music of the lodge includes songs and larger scale cantatas. Many lodges had an orchestra or at least and organist and a choir. Orchestral and piano pieces without words but incorporating Masonic symbolism have also been composed for lodge use. As well as musicians actors have always found a home in the lodge and some Masonic plays even found their way onto the public stage as did some operas. These songs, poems, musical works and dramas range from the amusing to the serious, from the occasional to the esoteric, from bawdy to deeply religious.

Freemasonry and esoteric themes have been widely used by authors in the 19th century in Germany and elsewhere for literary works as well as in our own time in e.g. The Da Vinci Code by Dan Brown. Masonic and esoteric influences are also to be seen in the visual arts; for example paintings and theatre scenery. Freemasonry has exerted an important influence on architecture in general and in the design of lodge buildings in particular. A perhaps unexpected influence is to be seen in garden design where some gardens take the visitor on a journey past masonic or esoteric symbols.

All of these various aspects of Masonic culture need to be recorded and interpreted. And when this vast creative effort by members of a closed brotherhood is set in the wider context of the time, place and the society in which masons wrote and created it sheds light on the evolving place of freemasonry in society as a whole. This causes us to ask questions such as ‘did freemasonry influence social development directly or indirectly or was it itself led by the great upheavals of the Enlightenment, revolutions and wars that have beset the last centuries?’

SpeakersSpeakers are students and academic experts in the field of study, including:
Mrs. Diane Clements, Library and Museum of Freemasonry, London, UK;
Prof. Emeritus James Stevens Curl, School of Architecture, Leicester’s De Montford University, UK;
Prof.dr. Malcolm Davies, Chair for the Study of Freemasonry as an Intellectual Current and a Socio-cultural European Phenomenon, Leiden University, The Netherlands;
Dr. Max de Haan, Editor in Chief of Thoth, The Netherlands;
Mrs. Drs. Andréa Kroon, Leiden University / OVN Foundation, The Hague, The Netherlands;
Dr. Andreas Önnerfors, Centre for Research into Freemasonry, University of Sheffield, UK;
Dr. Andrew Pink, University College London, UK;
Prof. Dr. Jeffrey Tyssens, Free University Brussels, Belgium.

The program will include a performance and discussion of masonic music.

Organizers
The conference is organized by the Chair for the Study of Freemasonry as an Intellectual Current and a Socio-cultural European Phenomenon at the The Leiden Institute of Religious Studies (Faculty of Humanities), Leiden University.

Speakers will be scholars and students from several academic disciplines.
The conference has the support of The Order of Freemasons under the Grand East of The Netherlands, The Cultural Masonic Centre ‘Prince Frederik’ (CMC), The Foundation for the Advancement of Academic Research into the History of Freemasonry in The Netherlands (OVN), The Leiden Institute for the Study of Religions (LISOR), The Sub Department History of Hermetic Philosophy and Related Currents (Univ. of Amsterdam), the Centre for Research into Freemasonry (CRF) at the University of Sheffield, FREE / Interdisciplinaire Onderzoeksgroep Vrijmetselarij (Vrije Universiteit Brussel) and departments in other universities.